Showing posts with label new lens love. Show all posts
Showing posts with label new lens love. Show all posts

03 February 2013

Hong Kong : Through My (fancy new) Lens

Some shots from my recent Hong Kong trip, taken with my fancy new 35mm wide angle lens. I kind of bought this lens on whim - I just had an idea that I wanted a 35mm lens, but hadn't done much more research than that. I went for the new Canon f/2 lens with image stabilisation. 

After reading some online reviews it seems I probably paid too much for this when I should have just gone for Canon's basic 35mm lens...but! I haven't taken this lens off my camera since buying it so no regrets. 

I love the depth of field you can get with it - similar to the 50mm lens but without having to stand a long way away from your subject. There's little bit of 'light fall off' (basically, vignetting) at very low apertures too, which I actually really love. It's solid but light, quick to focus and is one of those lenses that's meant to closely reflect what the eye sees. A new favourite for me!

All of these images where taken just above Central on Hong Kong Island. I normally stay in the area when I visit, it's so full of life. The little streets are crammed with shops selling herbal tea, chinese medicine and all kinds of festive goods; there are wet markets full of fruit, flowers and tofu; and busy dai pai dongs (open-air food stalls). Plus you're only a step away from bars, cafes (including the delicious Mana!), and seriously good coffee (as good as you'll find in Melbourne, and that's a big call!). It's a perfect mix of old and new, slap-dash and mannered.


07 January 2012

Why I Love My New 50mm Fixed Lens

A few months ago I read this post on Brandi's blog about the new lens she'd received for her birthday.  It was a 50mm f/1.8 fixed lens, and it seemed to produce a rather lovely shallow depth of field.  I'm a sucker for shallow depth of field photos - where one point is picked out in crystal clear focus and everything else fades into a delightful blur - so the lens duly went on my Xmas wish list, and my awesome Mum duly went out and got it for me.  And I am so very happy that she did.

The low aperture is responsible for the super depth of field, but it also means that the lens sucks in all the available light it can.  This means even in low light conditions you can have a fast shutter speed, which makes it great for candid portrait shots as you don't have to get your subject to pose.  The blurry background also leads to happy bokeh accidents, as I'm just starting to discover.


If you want to read more about why the 50mm fixed lens is ace (and how it will make you a better photographer) this article is a good place to start.